Please select your country

We are using cookies to give you the best experience on our website.
By continuing to use our website, you agree to the use of cookies in accordance with our cookies policy. More details.

DYVI reinvents the switcher for Francis Ford Coppola’s ‘Distant Vision’ live cinema project

IT-based programmable video board delivers unique live hybrid film/theatre/television experience

Liège, Belgium, October 06, 2016 – EVS’ DYVI switcher has been chosen by renowned Hollywood film director Francis Ford Coppola for use on his ambitious Live Cinema project, ‘Distant Vision’. The DYVI IT-based switcher, which is usually part of a television broadcast environment, was used to cut together feeds from the 40 cameras, which captured the live production-film hybrid.

‘Distant Vision’ is a traditionally-scripted story that is rehearsed and blocked before being performed live and broadcast in real-time to online audiences. Created by Coppola’s Zoetrope film studio, the first part of the project - which involved the production of a portion of the film’s huge 500-page script - was captured at UCLA.

picture1
The DYVI switcher was implemented into the Live Cinema workflow by technical director Teri Rozic. The film’s 17 scenes each had their own complex camera requirements, so each scene’s inputs and sources were pre-set for each one in DYVI, reducing set-up times and simplifying the overall production process.
Discussing the concept, Francis Ford Coppola said: “I felt the need to experiment in order to learn the actual methodology of live cinema, which is a hybrid of theater, film and television. The shot is the basic element, as in film; the live performance is from theater; and the advanced television technology to enable it is borrowed from TV sports.”

As each scene was captured, its pre-set inputs and sources were displayed on one of the three multiviewer screens in UCLA’s control room while the next scene’s set up was displayed on another. These multiviewer scene displays were generated internally by the DYVI system and the live scene was highlighted by a red background – a virtual on-air recording light configured for the Distant Vision production.

This multiviewer installation meant that the traditional broadcast setup - having all available cameras displayed at once - could be replaced by this more logical, pre-set configuration perfect for the Live Cinema project’s production.

“I think the dynamic multiviewer and control panel assignment are the two most important elements from the point of view of the director,” Francis Ford Coppola said of the implementation of DYVI in the project. “In the system our displayed sources could be dynamically rearranged at any time during the production. This allowed me to focus only on the sources needed at a certain point of the production and enabled faster and more direct switching for our technical director. The way we could set up and use DYVI would have been impossible on a conventional board.”

picture2
“The way in which this project utilized the DYVI switcher is exactly how we saw it being used when we first developed the technology,” said Jürgen Obstfelder, EVS’ senior product specialist and the software designer of the DYVI switcher. “Over the past few years, the focus with switchers has mainly been finding ways to add more inputs. The way we designed DYVI with IT software means it can be configured for an unlimited amount of setups – or in this case, scenes. Operators or technical directors can then change between those scene configurations with a simple press of a button without needing to implement a shift-key function to access the production’s inputs.”

An EVS XT3 live production server was also used within the technical workflow. All 17 scenes of the production were cut and recorded on a 12 channel EVS XT3 live production server during rehearsals. If something were to go wrong live on stage during transmission, Rozic could immediately cut to the XT3 channel of pre-recorded content, avoiding mistakes being delivered to the audience watching live at home.

Live Cinema is undoubtedly an ambitious project. Headed by one of the most revered names in film, delivering the excitement of live theater and supported by technology that powers the world’s biggest broadcast events, Distant Vision is an entirely new kind of filmmaking.

“I want to thank EVS for their great help during this experimental production and for their unbeatable tradition of precision and reliability,” concluded Francis Ford Coppola.

Media contacts

For more info about this press release, or to set up an interview with EVS, please contact:

Nicolas BOURDON
SVP Marketing
Tel: +32 4 361 58 09
Email: marketing@evs.com

Martin Izzard (EMEA) or Melanie Crandall (Americas and APAC) 
Red Lorry Yellow Lorry (PR company)
Tel: +1 310 739.0955
Email : evs@rlyl.com 

About EVS

EVS is globally recognized as the technology leader for live video production. The company introduced Live Slow Motion replay in 1994, and has continued to build on its reputation for quality and reliability with solutions that enhance live sports, entertainment and news content. Innovations – such as the C-Cast multimedia platform and DYVI IT-based switcher – are raising the bar for live production enrichment, management and distribution. Broadcasters, rights owners, producers and venues alike use EVS to maximize the value of their productions and increase revenue streams. 

The company is headquartered in Belgium with offices in Europe, the Middle East, Asia and North America, and provides sales and technical support to more than 100 countries. EVS is a public company traded on Euronext Brussels: EVS, ISIN: BE0003820371. For more information, please visit www.evs.com

Note: All brands referred in this document are officially registered trademarks.

Forward Looking Statements

This press release contains forward-looking statements with respect to the business, financial condition, and results of operations of EVS and its affiliates. These statements are based on the current expectations or beliefs of EVS' management are subject to a number of risks and uncertainties that could cause actual results or performance of the Company to differ materially from those contemplated in such forward-looking statements. These risks and uncertainties relate to changes in technology and market requirements, the company's concentration on one industry, decline in demand for the company's products and those of its affiliates, inability to timely develop and introduce new technologies, products and applications, and loss of market share and pressure on pricing resulting from competition which could cause the actual results or performance of the company to differ materially from those contemplated in such forward-looking statements. EVS undertakes no obligation to publicly release any revisions to these forward-looking statements to reflect events or circumstances after the date hereof or to reflect the occurrence of unanticipated events.