My sports storytelling adventure as an EVS replay operator - by Aurélie Gonin

The thrill of live shows

I have always loved the energy that comes out of a live show. You can feel the teamwork, with everyone pulling together to achieve the same goal. Each time I've directed a live show, I've been impressed by the incredible work of the EVS operators, who are remarkably quick and efficient at replaying the best moments within seconds, using this very special remote control. The only sounds that break the animated production discussions in an OB van are the rapid taps on the buttons of the remote. A few years ago, I had a taste of live slow motion, and I really loved that positive pressure. At the time, I was working on Newtek 3Play, and I wanted to go further, which meant learning more about EVS systems.

Training as an EVS replay operator

As there’s no room for hesitation or mistakes in live production, I wanted to learn the right methods. I contacted EVS and signed up for a training session at their headquarters in Liège, Belgium. Though I am French, I opted to be trained in English, so that I could work with international teams. The training was an excellent opportunity to visit the company’s facilities and learn in optimal conditions. Over three days, I delved into new techniques and practiced extensively, alongside two other trainees. Interestingly, we were all women, marking a positive shift in the industry.

The power of the EVS replay system

During the event, I was also able to appreciate the power of the EVS production servers, which allow you to start replaying immediately after the action occurs. For example, in the speed category, athletes climb a fifteen-meter wall in around five seconds. It's so fast that you have to show the race in slow motion immediately after it's over. As soon as they took off, I was ready to replay the race and add as many angles as the director wanted.

It was a very intense few days. I found the role of a replay operator more challenging than directing, as it involves real-time cutting, with the anticipation of what the cameramen have to frame of course. In contrast, an EVS operator constantly navigates between past and future, reviewing what has happened and preparing what will be shown next. Despite the challenges, I really enjoyed this new role and am eagerly looking forward to my next assignment!